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Suor-AngelicaSuor AngelicaAn Opera in One Act by Giacomo Puccini
Watch the opera
Wearing Angelica
My approach to doing a role is the same as my approach to putting on clothes. Here I am, at the ripe age
of --fill in the blank-- with children, and walking around with a few (okay, many) pounds more than I need.
How do I pick the clothes of the day? Easy: the clothes that fit comfortably and flatter me. When I was
younger and a lot thinner, instead of simply being happy being "me" back then, I wasted it by continuing to
buy clothes that were too small- and was miserable trying to fit into them. I probably wasted half of my
life doing just that. Today, as I said, being older and- so-I-want-to-believe- wiser, it is my choice to
wear only clothes that fit me well and in which I feel comfortable and have the confidence to carry myself.
So, I face Angelica, who is definitely in her child-bearing years - and I'm- uh- not. She was forced into nunhood, cast away forever because she did the unthinkable and shamed her noble family name. In the Thai culture from where I came, the family name is something you preserve and put on a pedestal. -I can relate to Angelica's background. There is not a day that goes by, since the birth of her child, when she doesn't think about him. There's that sense of longing for her son, the shame and the guilt that she brought down the family name, and the need to punish herself. I am a mother, and I love being a mother, so I have four chidren. (Well, obviously there are other factors as to why I have four children, but we don't need to go into that at this time!) Before accepting this role I could not even imagine what it would do to me if a child of mine were to be taken out of my sore body and away from me right at birth. And now, I have to think it, believe it, live it, and feel it. My Angelica 3-piece suit (plus the wimple, veil, etc.) has to be custom made by me, to fit well enough that I could feel myself inside her- and her inside me. So I put on Angelica, zip her up, and let her fall naturally on me. In letting Angelica fall upon me there are compromises that I have to make when it comes to the differences between us. Should the same misfortune happen to me -Pradichaya, The urge to be with my child will out- power the guilt and the shame. -I would scream and kick my way out of the convent long before seven years have passed, and that nasty aunt will have a taste of the true Pradichaya. But of course, Puccini didn't write an opera called, "Pradichaya and her revenge on the nasty aunt who took over her inheritance," so I have to settle with the gentle, repentant, and walk-around-with-a-secret-larger-than-a-Thai-elephant Angelica. And the result? Please see for yourself, and I welcome comments and feedback. I grow with every role I perform, and I gain tremendous experiences from wearing a role. If and when I have another chance at performing Angelica I can't tell what I'll do, but I can guarantee that no two performances will be the same. Please enjoy the opera. Perhaps the next time I perform live I will have the honor of your attendance. Capitol Opera Harrisburg Performed on April 24th 2010
Suor-Angelica: Watch Suor Angelica, a one-act opera by Puccini. This video features Pradichaya Gafaae Poonyarit in the
title role performing in Capitol Opera Harrisburg production.
For maximum viewing pleasure, I recommend Firefox. Download the latest version. If your browser is Internet Explorer, please click:
CAST
Sister Angelica - Pradichaya Gafaae Poonyarit
The Princess - Mary Catherine Moroney The Abbess - Elizabeth Splaine The Monitor - Kim O'Bryan The Mistress of Novices - Kim Shank Sister Genevieve - Sophia Thompson Sister Dolcina & Sister Osmina - Lynn Panattoni The Tourieres - Alexandra Amrine & Sara Goldman The Novices - Nicole Shank & Lydia DeKok The Lay-Sisters - Bethany Rainey & Hannah Rainey Orphans Lily Grace Eckroth Jackson Rainey Jessica Rainey Juliette Rainey Dante Sarracino
ORCHESTRA
Conductor - Jay Risser Accompanist - Lindsay Fitzke Rehearsal Accompanist - Daniel Dorty 1st Violin - Cimone Phillips 2nd Violin Caitlyn Lynch & Erin Deitrick Flute - Alyson Zeigler Piccolo - Jennifer Kelley Bassoon - Craig Kyle Horn - Andrew Exner
PRODUCER/DIRECTOR
Kathleen Torchia Synopsis
Suor Angelica, a daughter of a noble Florentine family, has spent the last seven years in the seclusion
of a convent as punishment for her sin. Having become an expert at crafting herbal remedies, her true,
hidden desire is to hear from her family once again, and to gather news of her illegitimate son whom she
has not seen since his birth and her banishment.
Her aunt, the Principessa, arrives. Angelica is informed that her younger sister is to be married, but her joy is tempered by the older woman's insistence that she sign away forever her inheritance. She tells Angelica that she should spend the remainder of her life as a nun in the convent as penance for her shameful act. When Angelica asks for news of her son, the Principessa replies coldly that two years ago he died from a fever. In despair, Angelica signs the document and, as the Principessa leaves, collapses in sobs. With this news of her son's death, Angelica resolves to commit suicide. She mixes a deadly potion of herbs and drinks it, only to realize that to kill oneself is a mortal sin. As she is dying, she begs for mercy from the Virgin Mary, and her prayer is answered: her son, accompanied by the Virgin, appears to take her to Heaven. HTML Comment Box is loading comments...
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